This tour led to the creation of "Revolting Cocks" by Richard 23, Luc Van Acker, Alain Jourgensen of "Ministry" and others. "Front 242" signed with the legendary Wax Trax label in 1984, and started their first tour in the United States with "Ministry". "Front 242" was becoming the most popular musical group in Belgium their next album, "No Comment" would cement the group's place in electronic music, and was the first to introduce the term "Electronic Body Music" in association with their sound. Jonkheere was usually referred to by the name Richard 23. In 1983, Dirk Bergen left the band to pursue graphic design full time, and Richard Jonckheere was admitted to the group as a loosely backing vocalist and charismatic stage presence. These first releases, while cited as influential by a number of other artists in the genre, were not as characteristically strong and hard-hitting as the group's later efforts. Their next single, "U-Men", would be released in 1982, followed by the band's first album "Geography" in 1983. They also decided during this formative period never to use the regular waveform settings on their synthesizers, saying instead that creating the waveform itself for each note was part of the creative process. De Meyer also came to write almost all of the lyrics. Bressanutti, Codenys and De Meyer all took turns on vocals at first, until they settled on De Meyer as the lead vocalist only recently have early recordings with Bressanutti on vocals been widely released. Contact between Bressanutti and Codenys led the two duos to join together in 1982. Codenys said his father received a lottery winning and shared enough of it with him so that he could buy a car, but he bought his first synthesizer instead. Patrick Codenys and Jean-Luc De Meyer had separately formed a group called "Under Viewer" at about the same time. The first single to be released was "Principles", late in that year. They were interested in creating both music and graphic design using emerging electronic tools, and reportedly decided on changing their name to "Front 242" because the name had greater potential as a subject of graphic design. It is perhaps no coincidence that Varese's great mark on the music world took place at the "1958 World Fair" in Brussels, where Front 242 would work a few decades later.įront 242 was created in 1981 in Aarschot, Belgium by Daniel Bressanutti and Dirk Bergen, who originally went by the name "Prothese". Burroughs and of Edgard Varèse, the first significant composer to adopt electronic sources of sound as musical instruments, and who also used overwhelming percussion including with found objects. Going back earlier, these innovations can be seen as an extension of the work of William S. These revolutionary groups introduced elements of style later taken up by "Front 242" such as electronic instrumentation, overwhelming percussion often with found objects, and looped samples of found soundbites. The origin of "Front 242" should be understood within the rise of industrial music, which originated in England in 1975 with the first performances of "Cabaret Voltaire" and "Throbbing Gristle". During their most active period (they decided to quit EBM in 1993 with the albums "06:21:03:11 UP EVIL" and "05:22:09:12 OFF") they were influential to many electro-industrial and electronic artists. For years to come they took the lead in electronic music composition. The origin of "Front 242" should be understood within the rise of industrial music Read Full Bio "Front 242" is a pioneering Belgian electronic body music group that came into prominence during the 1980s. "Front 242" is a pioneering Belgian electronic body music group that came into prominence during the 1980s.
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